羊毫筆的大量使用在元代以后，以浙江湖州所產最佳，傳說湖州絲織業發達，所養山羊，也多食用當地種植的桑葉，因此所出羊毫穎尖較長，柔而不軟，糯而不硬，著名書畫家趙孟頫便是以擅用羊毫而知名。
The heavy use of lambs, after the Senate, was the best in Zhejiang and Lake State, where the legends were that the silk-weaving industry had reached and raised goats and consumed much of the local seed leaves, so that the sheep were longer, soft and hard, and the famous painter Zhao Meng-chung was known for his good use of sheep.
極品的羊毫，其頂端有一截玉白色透明尖挺的鋒穎，通常稱為“黑子”，隻有用“黑子”的毛料，經過加工，才能做成具備“圓尖健齊”四德的良筆。新鮮的羊毫富含脂肪，做成筆后吸墨性差，所以往往通過一段時間的日晒、夜晾天然脫脂，經過這種手法處理的羊毫，稱為“宿羊毫”。湖州的羊毫筆一般用“淨純宿”來衡量和標識所制毛筆，“淨”是指白淨，“純”是指沒有雜毛，“宿”就是指天然脫脂，根據質量，會分為“純羊毫”、“淨純羊毫”、“淨純宿羊毫”。
At the top of the top, there is a white-white, transparent and sharp lamb, commonly referred to as the “black” and used only as a “black” material, which is processed in order to produce a pen with a “round-tightness” of the four virtues. The fresh sheep are rich in fat and are inhaled with ink, so that they tend to be treated with “pure sheep”, “pure sheep”, “pure sheep” and “pure goats” for a period of time. “pure sheep” are usually measured and marked with “pure sleep”, “pure” means white, “pure” means lack of shroud, “bed” means natural lipation, and according to the mass, are “pure sheep”, “pure sheep”, “pure sheep” and “pure sheep”.
純淨的羊毫筆與狼毫筆相比，彈性稍遜，但絕不是軟而無力。其蓄水量要大於狼毫，作書易得厚重之氣，尤其清代碑學興盛，羊毫配生宣成為當時的一個標志，因為羊毫蓄水量大，生宣比較洇，寫出來的線條厚重，力透紙背，容易得金石味道。如鄧石如、康有為、李瑞清、曾?等，都是當時善用長鋒羊毫的高手。羊毫用於作畫，一般用於設色或者寫意繪畫。
Pure lamb pens are less elastic than wolf pens, but they are not soft and weak. They contain more water than wolves, they are easier to write, especially in the form of pseudo-stones, and the sheep are declared to be a symbol of the time, because of the amount of water they hold, the amount of life they make, the weight of the line they write, the weight of the line, the strength of the paper, and the taste of the stone. For example, the stone, the kang, the Li Ri Qing, the former, etc., are the best hands who used the spears. The sheep are used in painting, usually in design or writing.
對於具體應用，要考慮到所學內容來選擇筆，書法方面，如果走“帖學”一路，即王羲之、王獻之及其追隨者，狼毫這樣稍微偏硬些的筆是首選，可以得瀟洒流逸之氣﹔走“碑學”一路，如魏碑的龍門二十品，秦漢時期的各種篆隸刻石，羊毫筆是不錯的選擇，濡墨性能好，下筆有金石氣。繪畫方面，如果學齊白石、吳昌碩等人的寫意花鳥畫，筆觸大，墨色變化豐富，可以選擇羊毫﹔工筆繪畫，狼毫紫毫這樣的硬毫筆用來勾線效果最佳，設色用羊毫是最好的搭配﹔山水畫一般偏重於硬毫，當然，羊毫用得好也有意外之趣，但用的不好也容易染上濁氣的毛病。 (方圓)
In terms of practical applications, consideration should be given to the choice of pens, book law, and, if you go a “post” journey, that is to say, the King, the King, and his followers, a pen that is slightly harder than the pen is the first to be chosen, which can be eschewed; if you go a “stone” journey, like the twenty dragons of Weihua, all kinds of gravel from Qin Han, which is a good choice, good ink, and gold in the bottom. In terms of paintings, if you learn Qi whites, Ng Chang-sung, etc., that is, bird paintings, brushes, heavy ink and inflamed ink, you can choose sheep.
(來源:長春日報)
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